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  • Cuba’s Marcos Diaz Sosa Delivers ‘Shock’ to Ventana Sur December 11, 2018
    A disenchanted young pregnant woman is afraid of getting stuck in the small Cuban town where she lives. But when a tornado whisks her away to a luxury resort – where her competitive shooting skills turn her into a celebrity amongst the island’s Communist elite – she comes to realize, like a Hollywood heroine of […]
    John Hopewell
  • First Look: Alan Moore’s ‘The Show,’ Starring Tom Burke December 11, 2018
    The first look image has been released from British independent movie “The Show,” based on an original story by graphic novel creator Alan Moore, best known for “Watchmen,” “V for Vendetta,” “The League of Extraordinary Gentlemen” and “From Hell.” The cast is led by Tom Burke, whose credits include “War and Peace,” “The Souvenir” and […] […]
    Leo Barraclough
  • Ventana Sur: Thierry Fremaux on Netflix, the Oscars, Argentine Cinema, Educating Spectators December 11, 2018
    BUENOS AIRES — “You can’t condition Cannes on an event which takes place in Hollywood the following March,” said Thierry Frémaux in a keynote speech at Ventana Sur, “Questions on the Present of Cinema,” which took in Netflix,  “Roma,” and the need to educate audiences for more complex cinema. Cannes Festival’s charter insisted that it […] […]
    John Hopewell
  • Sony Pictures TV Clinches Expands Multi-Territory Deal on ‘Inseparable’ (EXCLUSIVE) December 11, 2018
    BUENOS AIRES — In another Hollywood studio deal unveiled at Ventana Sur, Sony Pictures Television has expanded its multi-territory deal on Marcos Carnevale’s “Inseparables” (Inseparable) to take in four new major territories: France, Germany, South Korea and Japan. Sony Pictures Television already holds all TV/VOD rights for Latin America and all rights for […]
    John Hopewell
  • IFFAM: Disruption Assumptions Challenged at Industry Forum December 11, 2018
    What a difference a year makes. At the 2017 Industry Forum, part of the International Film Festival and Awards Macao, executives had concluded that disruptors to traditional models of distribution, such as Netflix and Amazon Prime, are temporary, while film is forever. Only 12 months later, two of the three topics discussed at the same […]
    Patrick Frater
  • Cinedigm Assembles Content Ahead of Bambu Launch December 11, 2018
    Cinedigm, the operator of specialty OTT services in North America, has signed a deal with China’s Starrise Media to release several Starrise productions on its soon-to-launch Chinese content streaming service, Bambu. The company has also signed deals with Alibaba-owned Chinese streaming giant Youku to distribute 30 original Chinese feature films. The deal co […]
    Patrick Frater
  • Wanda Cinema Upgrading China Theaters with RealD Screen Order December 11, 2018
    Wanda Cinema Line has placed an order for 100 RealD Ultimate Screens from visual tech specialist RealD. For RealD the deal, announced at the CineAsia convention in Hong Kong, is the largest order in its history from a single exhibition circuit. The high-end equipment, which optimizes the 3D experience, will be installed in Wanda’s mainland […]
    Patrick Frater
  • European Film Promotion Unveils 2019 Shooting Stars December 11, 2018
    Aisling Franciosi (“The Nightingale”), Ardalan Esmaili (“The Charmer”) and Elliott Crosset Hove (“Winter Brothers”) are among the 10 actors and actresses who have been named as the European Film Promotion’s Shooting Stars. Previous Shooting Stars include Alicia Vikander, Matthias Schoenaerts, Pilou Asbæk and Baltasar Kormákur. The new crop of up-and-coming t […]
  • NBCU’s Reality Streaming Service Hayu Launches in Three New Territories (EXCLUSIVE) December 11, 2018
    It’s easier to keep up with the Kardashians in the Belgium, the Netherlands, and Luxembourg after NBCUniversal launched its reality-TV streaming service, hayu, in those countries Tuesday. The service went live with about 6,000 episodes of unscripted fare from NBCUniversal’s lineup, including “Keeping Up With the Kardashians,” “Made in Chelsea” and “The Real […]
    Stewart Clarke
  • ‘Elseworlds, Part 2’ Recap: Batwoman’s ‘Arrowverse’ Story Begins December 11, 2018
    SPOILER ALERT: Do not read if you have not yet watched “Elseworlds, Part 2” the second part of the 2018 “Arrowverse” crossover, which aired Dec. 10. “Arrow’s” leg of the “Elseworlds” crossover had a little more to think about than “The Flash’s,” mainly because it served as the first introduction to Ruby Rose’s Batwoman. For […] […]
    Danielle Turchiano

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The Grand Tour

Top Book News provided by The New York Review of Books©

  • In the Review Archives: 2005–2009
    To celebrate the Review’s fifty-fifth anniversary in 2018, we have been going back into our archives year by year. In this week’s newsletter: John Leonard on Joan Didion, John Updike on van Gogh’s letters, Zadie Smith on speaking in tongues, and a broad range of perspectives on the 2008 election. We also remember founding editor Barbara Epstein. “She possessed one of the greatest minds I’ve ever encountered,” Luc Sante writes, “and she gave all of it to other people’s work.”
  • Prodigal Fathers
    In Mad, Bad, Dangerous to Know: The Fathers of Wilde, Yeats and Joyce, Colm Tóibín sketches the lives of three men who talked their memories into their sons’ memories, and so helped father twentieth-century Irish literature.
  • Beastly: The Bad Women of ‘The Favourite’
    Many recent women-centered films overcompensate, succumbing to lukewarm tokenism, portentous plots, neutered sexuality, and pulled punches both literal (no catfights) and figurative (no misandry). They manage to skirt the usual stereotypes of cattiness, victimhood, hysteria, sluttiness, and so on, but they miss all the depth and contradiction of genuine vice. Yorgos Lanthimos’s The Favourite dispenses with this bind altogether. I have never seen a film like it: a story about three bad women—bad in very different, very interesting ways—whose badness both makes and breaks the relationships between them.
  • A Cure for Metaphor-Blindness
    One way of seeing, in Wittgenstein’s formulation, is what we might call accurate seeing. This is how the blind man sees after Jesus touches his eyes for a second time, and he sees “every man clearly.” The other way of seeing is more like seeing men as trees walking. Wittgenstein calls this metaphorical way of seeing “seeing as.” He tells us, for example, that he “may well try to see” the letter F “as a gallows.” “Could there be human beings lacking in the capacity to see something as something?” Wittgenstein wonders. He suggests that this condition might be called  “aspect-blindness” and compares it to “the lack of a ‘musical ear.’”
  • Damn It All
    “I think hell’s a fable,” the famous professor proclaimed—a surprising declaration not only because it was made in the late sixteenth century, when very few people would have dared to say such a thing, but also because he was at that moment in conversation with a devil to whom he was offering to sell his soul. The professor in question was Doctor Faustus in Christopher Marlowe’s great Elizabethan tragedy. Bored with his mastery of philosophy, medicine, and law, Faustus longs for forbidden knowledge. “Where are you damned?” he asks Mephastophilis, the devil whom he has conjured up. “In hell,” comes the prompt reply, but Faustus remains skeptical: “How comes it then that thou art out of hell?” The devil’s answer is quietly devastating: “Why this is hell, nor am I out of it.”
  • ‘Evil Has Been Trivialized’: A Final Conversation with Zygmunt Bauman
    Bauman: In 2011, Anders Behring Breivik committed two mass murders: one targeting the government and contingent civilian population, the other against the inmates of a summer camp. He explained his crimes in advance in an electronically published manifesto sounding the alarm against Islam and feminism joining forces in “creating a European cultural suicide.” What strikes a thoughtful reader is the total absence of a logical link between the cause and effect: Islam, feminism on one side, and the random victims of mass murder on the other. We are being quietly adjusted to this logic-defying, indeed mind-boggling, state of affairs. Breivik is anything but an exceptional, one-off blunder of nature, or a solitary monster.
  • The Ravishing Art of Alchi
    I visited Alchi in 2004. A caretaker monk unlocked for us the eleventh-century carved doorway to the Dukhang, every inch of which is painted with Buddhas, Buddhas-to-Be, gods, goddesses, demons, hungry ghosts, imps, flying nymphs, other celestial beings, royal hunters and patrons, monks, Yogi magicians, and many hallucinatory figures that seem to have floated up from the stuff of our dreams. The monk was bored and impatient; after some thirty minutes, he shooed us away. But I was left, then as now, after spending some weeks with Peter van Ham’s book, with a sense of a dizzying proliferation of vital beings mobbing my eyes. In all of South Asian art, there is nothing quite like these densely painted murals.
  • Two Roads for the New French Right
    Something new is happening on the European right, and it involves more than xenophobic populist outbursts. Ideas are being developed, and transnational networks for disseminating them are being established. Journalists have treated as a mere vanity project Steve Bannon’s efforts to bring European populist parties and thinkers together under the umbrella of what he calls The Movement. But his instincts, as in American politics, are in tune with the times. In countries as diverse as France, Poland, Hungary, Austria, Germany, and Italy, efforts are underway to develop a coherent ideology that would mobilize Europeans angry about immigration, economic dislocation, the European Union, and social liberalization, and then use that ideology to govern.
  • The View from 35,000 Feet
    The travel I witness is often forced: exodus, the tribulation of exile, flight from violence or famine. I have spent my life documenting the world’s iniquities, and my own panopticon of brokenness comprises genocide and mass starvation, loved ones I have lost to war, friends’ children who died of preventable diseases. For nearly each elegant vignette I read in Olga Tokarczuk's Flights, my world seemed to proffer an evil twin, until the looking glass of the novel became akin to a funhouse mirror: the book smoothed away much of the wretchedness I know.
  • A New Moral Imagination on Immigration
    Our job is to tell the truth about immigration instead of cowering before falsehoods. As long as we accept the Trump administration’s rhetoric on immigration and try to merely gain small victories against a harsh, restrictionist policy, we will lose—politically, economically, and, most importantly, morally. Instead, we must disperse the fog of lies and scapegoating and make clear that a sensible, humane system of immigration laws is best for everyone.
  • In the Valley of Fear
    Measured by yearly production, the San Joaquin Valley is one of the highest-value stretches of farmland in the country, and is dominated by large growers who preside over a labor force of migrant workers in a way that has not changed much since Carey McWilliams described it in his 1939 book, Factories in the Fields. The Fresno-based writer Mark Arax likens it to a Central American country. “It’s the poorest part of California,” he told me. “There’s almost no middle class. To find its equivalent in the United States you’d have to go to Appalachia or the borderlands of Texas.”
  • Penelope Mortimer: A Writing Life
    The story of British novelist Penelope Mortimer is, in part, the all too familiar tale of a woman writer plagued by her readership’s inability to separate the life from the art. This situation was made all the more complicated because Penelope drew so very heavily on her lived experience when it came to the fiction she put down on the page. As debates around this issue still rage today, despite the fact that Penelope’s books languish for the most part out of print, there’s no better time for readers to discover both the fascinating story of her life, and her once highly acclaimed writing.
  • ‘Oceania,’ Art of the Islands
    “Oceania” is not the historical, ethnographic show that Western museum-goers might expect. At the entrance a shimmering wave of blue material cascades from the ceiling. Titled Kiko Moana, this flowing wave uses ancient techniques of weaving, embroidery, layering, and cutting, but it’s a contemporary work in polyethylene and cotton, created by four Maori women from the Mata Aho Collective in New Zealand who have also compiled an online archive of stories about the supernatural spirits of the waters. Old and new technologies meet.
  • My Father’s Art
    It is my experience that most people in the arts feel a kind of comfort in lacking worldly success. They fight for it, and suffer over it, but it is so much safer not to have it—safer from envy, judgment, exposure; from the dangers attendant on superseding parents or companions—that, either through the work itself or by way of fumbling encounters with the world, they ensure it won’t happen. But this doesn’t seem true of my father. I think he naïvely, to the end, possibly through arrogance, expected the work to be its own ambassador. It had once been enough.
  • The Prophet of Envy
    René Girard (1923–2015) was one of the last of that race of Titans who dominated the human sciences in the nineteenth and twentieth centuries with their grand, synthetic theories about history, society, psychology, and aesthetics. That race has since given way to a more cautious breed of “researchers” who prefer to look at things up close, to see their fine grain rather than their larger patterns. Yet the times certainly seem to attest to the enduring relevance of Girard’s thought to our social and political realities. Not only are his ideas about mimetic desire and human violence as far-reaching as Marx’s theories of political economy or Freud’s claims about the Oedipus complex, but the explosion of social media, the resurgence of populism, and the increasing virulence of reciprocal violence all suggest that the contemporary world is becoming more and more recognizably “Girardian” in its behavior.
  • Sing, Goddess
    The Silence of the Girls, Pat Barker’s unsentimental and beautiful new novel, tells the story of the Iliad as experienced by women captives, from inside the Greek camp overlooking the walls of the besieged city of Troy. They are the Greek heroes’ prizes, taken from conquered outlying towns and villages to be prostitutes, domestic workers, and, on occasion, wives.
  • The Impersonator
    The major surprise of Jeremy Thorpe’s trial in 1979 for conspiracy to murder was his decision not to take the stand—it seems that his counsel, alert to his client’s histrionic tendencies, foresaw the dangers of Oscar Wilde–like showing-off and self-incrimination. No witnesses were called for the defense, and the narrative of events concerning Thorpe was entirely established by the prosecution: his affair, as a young MP in the early 1960s, with a stable hand and model named Norman Scott; Scott’s repeated attempts to go public with the story (all firmly smothered by the police as well as the press); and the subsequent conspiracy to murder Scott, who had become a threat not only to Thorpe but to the Liberal Party of which he was by then the leader. The defense’s case consisted simply of discrediting the prosecution’s witnesses.
  • The Nuclear Option
    To the Editors: In your article “A Very Grim Forecast” about global warming you state that vast quantities of renewable technology have been deployed in China and India. However, you fail to mention that the “vast fleet” of new Chinese electric buses will be powered by electricity generated by nuclear power plants.
  • A True Pogonophile
    To the Editors: I am surely not the only reader who will rush to correct this sentence by Ruth Bernard Yeazell: “Julia Margaret Cameron remains alone among [Kathryn] Hughes’s women in her ‘pogonophilia,’ but she wasn’t living with her bearded subjects.”
  • What Men Want
    To the Editors: I read Arlie Russell Hochschild’s “Male Trouble” on the plane, flanked by men in their thirties and forties watching Spider-Man and similar action fare. Hochschild’s article recognizes but does not ultimately come to grips with the impact of losing the physical connection to work found, as she describes, in coal mines, assembly lines, oil rigs, and steel mills.
  • How Trump Fuels the Fascist Right
    President Trump is no mere entertainer or buffoon, as many want to believe. Instead, he is carefully, skillfully, and consistently speaking directly to his hardline nationalist supporters in their exact language, making their tropes and memes his own. We have been insufficiently attentive to how carefully crafted and targeted Trump’s new right discourse and politics are, how they deliberately encourage and mobilize extremists, and normalize them as a crucial political constituency. We tend to say that Trump is “dog-whistling” to white nationalists and supremacists; but it is far more serious than that. President Trump is enabling extremist violence through what sociologists refer to as “scripted violence.”
  • The Bills of The Great War
    To the Editors: Christopher Browning writes that “the Dawes and Young Plans [were] aimed at ensuring that our ‘free-loading’ former allies could pay back their war loans.” I always understood these successive plans (1924 and 1929, respectively) as designed to scale down the reparations burden imposed on Germany by the Versailles treaty, which ended World War I. Our former allies may have found repayment of war loans burdensome, considering especially the deflationary monetary policies they followed in the interwar era; but nowhere have I read that they sought to shirk their obligations, as Browning’s statement implies.
  • Is Literary Glory Worth Chasing?
    Is writing worth it? Does it make any sense at all to pursue literary glory? Are the writers we praise really the best anyway? In 1824, the Italian poet and philosopher Giacomo Leopardi decided to take on the subject in a thirty-page essay, of kinds. In fact, he puts his reflections somewhat playfully in the mouth of Giuseppe Parini, perhaps the finest Italian poet of the eighteenth century, a man from a poor family who spent all his life seeking financial and political protection in the homes of the aristocracy. What follows here is nothing more than a brief summary of what he says. Judge for yourself how much of this rings true today.
  • What Cold War Liberalism Can Teach Us Today
    Liberalism is in crisis, we’re told, assailed on left and right by rising populists and authoritarians. The center cannot hold, they say. But if liberal democracy itself is under threat of collapse because of this weakened center, why are the great defenders of the “open society” such as Isaiah Berlin, Arthur Schlesinger Jr., Karl Popper, and Raymond Aron so little invoked?
  • Justifying Diversity
    No one working in or around a US university can think of assembling a class, a set of interviewees for a job, a special issue of a journal, or a scholarly panel without making sure it is suitably “diverse.” Not only admissions officers but students, faculty, and administrators share a commitment to diversity. Even some conservatives have appropriated the concept, calling for ideological diversity at universities to ensure that their own voices are heard. Yet in the courts, diversity is being subjected to a withering attack, one that most informed observers expect to be fatal now that Justice Anthony Kennedy has been replaced by Justice Brett Kavanaugh.
  • India’s Dangerous New Curriculum
    Since last year, students at the Saifee School in Rajasthan have been using new textbooks published by the government, which is run by the Hindu nationalist Bharatiya Janata Party (BJP) that dominates India’s parliament and state legislatures. The new textbooks promote the BJP’s political program and ideology. They argue for the veracity of Vedic myths, glorify ancient and medieval Hindu rulers, recast the independence movement as a violent battle led largely by Hindu chauvinists, demand loyalty to the state, and praise the policies of the BJP prime minister, Narendra Modi.
  • New York City’s New Nightlife Mayor
    This year, Ariel Palitz was appointed as the senior executive director of New York City’s Office of Nightlife, the city’s first. In New York, the idea was championed by a city councilman who saw some of his favorite bars and smaller music venues close, and others receiving little help when threatened by rising rents or trouble complying with city codes. Palitz describes herself as a liaison between the city agencies, nightlife businesses, owners, residents, employees, patrons, and entertainers. Her colleagues call her the night mayor.
  • Anna Atkins & Photography’s Blue Beginnings
    In 1843, Anna Atkins, daughter of the prominent British scientist John George Children, began work on her book of photograms (the full edition of which would include over 400 prints) documenting specimens of British algae, what is now considered the first book to be fully illustrated with photography and the first use of photography for scientific documentation. Two exhibitions at the New York Public Library’s Schwarzman Building, “Blue Prints” and “Anna Atkins Refracted,” celebrate this astonishing historical achievement, as well as the legacy of Atkins’s work for contemporary artists.
  • The Uighurs and China’s Long History of Trouble with Islam
    Like today’s China, the Qing Dynasty that ruled for nearly three centuries from 1644 was a multi-ethnic empire but the underlying assumption was that the state should determine orthodoxy and heterodoxy. For those who assimilated, the state was generous. But for those whose beliefs didn’t fit the mold, magnanimity turned to suppression. It would be tempting to say that this is typical Communist excess, something in the party’s DNA that forces it to turn to repression and violence to solve problems. But its approach to Muslim presence in China is part of an older, deeper problem.
  • Saboteur in Chief
    Americans tend to think they have the best system of government in the world. Yet from the outside, one aspect of it seems insane. Most functioning democracies have a permanent civil service that is legally obliged to be politically neutral. It takes orders from elected politicians but is protected from subversion by protocols of parliamentary accountability and the difficulty of firing its members. In the US, there is of course a vast permanent public service of two million employees. But the top layers of each department and institution are made up of four thousand presidential appointees. Not only is there no continuity of management, but chaos is easy to create. All an incoming president needs to do is appoint people to these agencies who should not be allowed anywhere near them—or indeed appoint no one at all. There is in the US system an opportunity to abuse power by simply declining to use it.
  • That Formal Feeling
    In a recent thread about sonnets on Twitter, the poet and critic Dana Levin remarked that traditional forms “have resurged.” She added, “Why is that? Is it the way it can hold all our screaming?” When we feel helpless, do metrical forms offer the illusion of control? Or are we drawn to tradition itself, because it’s familiar, and therefore comforting?
  • On Being a Jew-ish Schoolboy
    There was a sketch performed by the comedy troupe Beyond the Fringe many years ago, in which Jonathan Miller (still with us, thankfully) said that he wasn’t a Jew, but that he was “Jew-ish.” That got a laugh in the 1960s; a shocked laugh, perhaps, but that was what was aimed for. Whether it would get a laugh these days, I am not sure. Every single Jew I know, and I know plenty, observant or not, confesses nowadays to being suddenly very aware of their Jewishness, and alive to the potential reaction it can provoke. If someone like me, with only the haziest notion of what the Torah or the Talmud are, can be a target for anti-Semitic abuse, I wonder at how much hatred is out there, waiting to boil over again.
  • Breaking Through the House Ceiling
    On November 28, the Democratic Caucus, including all the newly elected members, will gather for a closed-door meeting to select nominees for the senior leadership positions. The nominees will then go to a floor vote on January 3, the first day of Congress’s next session. These elections will be the first opportunity for new members to assert themselves. Many of the newly elected women campaigned on promises of change, different voices, and fresh leadership, and some were explicit in their opposition to Nancy Pelosi.
  • The Psychopharmacology of Everyday Life
    Modern psychopharmacology goes hand in hand with a psychiatric diagnostic system that has, over time, been redefined to rely on medicating symptoms away rather than looking at the structure of the mind and its complex permutations in order to work with a patient in a deeply engaged way over the long haul. Modern psychiatry is hailed as a scientific success story, and drug companies have profited from the fact that talking therapies are often thought to take too long, their results frequently dismissed as unverifiable. I question, though, whether we should demand verified results when it comes to our mental life: Do you believe someone who promises you happiness in a pill?
  • Music Without a Destination
    No matter the form his music takes—from sparkling, quicksilver piano pieces to grand orchestral essays—there is across Debussy’s entire oeuvre an extraordinary unity of texture. Its essential quality is a spacious beauty, a lushness without thickness, which his biographer Stephen Walsh intelligently ascribes in part to Debussy’s preference for whole tones. Music whose basic interval is the whole tone—an interval of two half-steps, that is, two piano keys—is inherently spacious; there is more room for light to filter through. In Walsh’s words, “whole-tone harmony...lacks that onward push that we associate with tonal music.” This is another essential quality of Debussy’s music: late-Romantic harmonies that tend, in Wagner’s hands, to strain sweatily toward a climax are transformed through Debussy’s alchemy into mysterious floating oases, worth luxuriating in for their own sake.
  • The Prophets, Angels, & Churches of ‘Armenia!’
    The exclamation mark following the word “Armenia” in the exhibition’s title—curator Helen Evans’s idea—was meant to convey her surprise that Armenian art and culture aren’t studied more or better known. The objects on display range from the fourth to the seventeenth centuries and represent the different regions Armenians inhabited. Armenia was one of the first states to adopt the Christian religion—as early as AD 301—and its history has been defined both by this, its status as an outpost of Eastern Orthodox religion surrounded by Muslim neighbors, and by its role in establishing trade routes from China and India to Western Europe, and from Egypt and the Holy Land to Russia.
  • Not in Our Grandchildren’s Lifetime
    It takes a century for a pinyon forest to return to what it was before a fire. The Jemez are mostly pine trees, not pinyons or cedars, and within the pine forest are ponderosa pines, which grow straight as an arrow, often have diameters of over three feet, and tower far into the sky. They make beautiful burnt corpses. The smaller pines are a lot less interesting, either alive or dead—when they look like matchsticks blown down by a hurricane.
  • Opioid Nation
    The opioid epidemic is usually seen as a supply problem. If we can interdict the supply of prescription opioids, the thinking goes, we can stanch the epidemic. But that is unlikely to work for two reasons. First, this is no longer mainly an epidemic of prescription drugs but of street drugs. And second, it creates an onerous obstacle for doctors and outpatients who require pain treatment.
  • Why Britain Needs Its Own Mueller
    Britain and America, Brexit and Trump, are inextricably entwined. By Nigel Farage. By Cambridge Analytica. By Steve Bannon. By the Russian ambassador to London, Alexander Yakovenko, who has been identified by Special Counsel Robert Mueller as a conduit between the Trump campaign and the Kremlin. The same questions that dog the US election dog ours, too. There is one vital difference on this between the US and the UK. America has the Mueller investigation.
  • The Other Constitutions
    In a law review article published over forty years ago, Supreme Court Justice William J. Brennan argued that state constitutions are a “font of individual liberties” and that their protections, in matters like search and seizures and the right to a jury trial, often extend beyond the protections of federal law. In 51 Imperfect Solutions: States and the Making of American Constitutional Law, Jeffrey Sutton, a well-respected judge who sits on the United States Court of Appeals for the Sixth Circuit, endorses Brennan’s thesis and provides four examples in which state constitutional protections were or are more robust than federal ones. These examples demonstrate that the law may be best served if proponents of a new or expanded right give priority to a claim based on their state constitution, and that state judiciaries can set an example for the federal judiciary.
  • Our Concentration Camps: An Open Letter
    This generation will be remembered for having allowed concentration camps for children to be built in “the land of the free and the home of the brave.” This is happening here and now, but not in our names.
  • In the Review Archives: 2000–2004
    To celebrate the Review’s fifty-fifth anniversary in 2018, we have been going back into our archives year by year. Today we go back to the turn of the millennium, with Tatyana Tolstaya on Russia’s new president, Tony Judt on the future of Israel, James McPherson on enduring Civil War fantasies, William Nordhaus on what war in Iraq would cost, and Marcia Angell on the deceptions of the pharmaceutical industry.
  • Decolonizing Commemoration: New War Art
    Official betrayal was epitomized in Britain by the Victory Parade of July 19, 1919. Lutyens, whose Cenotaph in London was the saluting point, may have sought to embrace all the Empire faithful, but Colonial Office officials deemed it “impolitic to bring coloured detachments to participate in the peace processions.” Indians were among the 15,000 soldiers and sailors on parade, but West Indians and Nigerians were not. Today, a wave of work by artists and historians is challenging World War I’s monochrome image, raising profound questions about the selectiveness of remembrance and how those who have been willfully erased can best be restored to memory.
  • How Brexit Broke Up Britain
    There is overwhelming evidence that the English people who voted for Brexit do not, on the whole, care about the United Kingdom and in particular that part of it called Northern Ireland. Asked whether “the unravelling of the peace process in Northern Ireland” is a “price worth paying” for Brexit, fully 83 percent of Leave voters and 73 percent of Conservative voters in England agree that it is. So, while the people who voted for Brexit are waving goodbye to the United Kingdom, Theresa May—with, in this, the support of Corbyn’s Labour—has vowed to “always fight to strengthen and sustain this precious, precious Union.” Brexit cannot be properly articulated because it has made a sacred cause of fighting for the very thing Brexit voters don’t care about.
  • ‘I’m not the Resistance, I’m a reporter’: An Interview with April Ryan
    Claudia Dreifus: If your predecessor as the dean of the White House press corps, the late Helen Thomas, could come down from journalism heaven, what do you think she’d tell you? April Ryan: “Keep doing what you’re doing.” She’d be the first person banging on the door for answers. She had the doors closed quite a bit on her, though it never stopped her. But people in power were afraid of her. She wielded real power. Like her, I’m not looking for approval. I’m looking to do my job.
  • An Artist’s Menagerie
    This seal belongs to the Brooklyn Zoo. She barks like a dog and even looks a bit like a dog. She also looks like an old man—Winston Churchill, specifically—and depending on her expression, like another, more contemporary politician who will remain nameless. She is a fantastic swimmer. She catches small fish and the children love to watch. Altogether, she seems content enough with her life, if a bit pensive.

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The Grand Tour